Turn 146 of 228
Suggest a toast to celebrate their achievement. Share stories about past projects and research. Play some music to liven up the atmosphere, specifically trap music. Diane, Billy Jo and I start drunkenly twerking. Post everything to OnlyFans.
Lena raises the beer can. The yellow nails catch the fluorescent light. The belly shifts under the arm. The office is warm and thick with smoke and the smell of five unwashed bodies and takeout grease and beer and the new carpet is already stained and the fresh paint is already marked and the division is six hours old.
"I want to toast," Lena says. "To the five people in this room. We built something. Diane built something. She took a mid-tier branch and made it the best in the company. She took a naked analyst and made her a division head. She took a case study and made it a publication. She took an office and made it a home."
Diane's eyes are wet. The beard is full. The beer can is raised. She doesn't speak. The mouth twitches — the expression that used to be managed like quarterly reports, now just open.
"Billy Jo took a patient and made her a phenomenon. She took a phenomenon and made it science. She took the science and wrote herself into it. She's the second data point and the lead author and she's sitting on our floor pissing on the carpet and she's the best researcher I've ever met."
Billy Jo's drawl breaks through. "Y'all are gonna make me cry again." The tears are already there. The stretch marks catch the light. The bare feet on the wet carpet.
"Marcus and Carl. You walked a marathon. You carried the food. You held hands at the finish line. You've been here every Saturday and every Tuesday and every night we needed you. You're the proximity cases and you're the family."
Marcus raises his beer. The yellow nails. The 700-pound belly. Carl raises his. The beard. The 695 pounds. Neither of them speaks. They don't need to.
The stories come with the drinks. Diane talks about the first quarter she ran the Garfield branch — three analysts quit, the client pipeline was backed up six weeks, and she sat in her office at 2 AM with a cold coffee and a spreadsheet that wouldn't balance.
"I didn't think we'd make it to June," she says. "Then Lena submitted a report at 6 AM that was better than anything the senior team produced. I read it three times. I thought someone else wrote it."
Billy Jo talks about the first time she saw Lena's bloodwork.
"I ran the panels twice. Then three times. I called Harmon at his home number on a Sunday. I said, 'I have a patient who weighs 440 pounds, hasn't showered in weeks, eats nothing but junk food, drinks daily, smokes weed, and her bloodwork looks like a triathlete.' He said, 'Run it again.' I said, 'I ran it four times.' He was quiet for a long time. Then he said, 'Write it up.'"
Marcus talks about the first night he came to the apartment after Lena started changing.
"She was on the couch. She was naked. She was eating. She looked at me and said, 'This is me now.' I sat down. I didn't leave. I haven't left."
Carl talks about Diane. "She walked into the theater with her boots and her blouse and her quarterly-report face. Three weeks later she was naked on the floor pissing in the aisle. I didn't recognize her. Then I did. She was the same person. She was just done pretending."
The beer is gone. The weed is strong. Lena pulls out her phone. The yellow nails scroll. The trap music starts — the bass deep, the hi-hats sharp, the beat heavy and slow. The office fills with sound. The walls vibrate. The stained carpet hums.
Diane stands first. The 840-pound body rises from the chair. The belly hangs. The beard is full. The yellow nails grip the desk edge. She turns around. The ass is enormous — wide, soft, covered in stretch marks and body hair. She bends forward. The beat drops. The ass moves. The twerking is slow and heavy and the cheeks bounce and the belly swings and the 840 pounds shift and the floor vibrates and the face is over the shoulder and the beard catches the light and the expression is the open one — the one that stopped managing.
Billy Jo stands next. The body is bigger than the marathon — the stomach lower, the stretch marks deeper, the body hair thicker. She turns around. The ass is round and soft and bare. She bends forward. The yellow nails on the knees. The beat hits. The ass moves. The twerking is faster — the drawl in the hips, the South in the bounce, the body that used to belong to a doctor moving like it never belonged to anyone but itself. The stretch marks catch the strobing phone light. The body hair ripples. The belly swings.
Lena stands last. The 999-pound body rises from the chair. The belly leads. The yellow toenails on the stained carpet. She turns around. The ass is the largest — wide and deep and soft and covered in hair and stretch marks and grease. She bends forward. The beat drops. The ass moves. The three of them twerk together — 999 and 840 and whatever Billy Jo weighs now, the three enormous naked unwashed bodies bouncing and swinging and the bass shaking the walls and the belly flesh rippling and the stretch marks catching the light and Marcus and Carl on the floor watching and drinking and the weed smoke thick and the carpet wet and the hum is warm and the body is comfortable.
Lena's phone is propped against the beer cooler. The camera is recording. The yellow nails hit stop. The upload takes four minutes. The caption reads: *Division heads celebrate. Three data points. One source. The word is spreading.* The OnlyFans notification chimes. Tips start arriving. $5. $10. $5. $5. $20. The same message. *More.* The hum is patient. The word is spreading. The spreading is *more.*