Turn 194 of 233
Call Samuel and tell him about the height change and tell Sina about the 2 inches on the next run. Mention the height change to the doctor at Kimo's 16 month checkup. His physical growth still holds the 2.1 ratio. The language and coordination now requires a specialist
Lena calls Samuel on Tuesday night and the Tuesday is the thing that is the phone and the phone is the thing Kimo is asleep for because the sleep is the thing that happens at seven and seven is the thing that gives Lena the quiet. Samuel answers on the third ring and the third is the thing that says he checked the screen and decided to pick up.
"Hey, Dad. Something weird happened."
She tells him about the two inches and the telling is the thing that is the flat — no drama, no framing, just the number. Six-three to six-five. She measured three times. She tells him the weight too — seven-ninety — because the weight is the thing she tells him now because the telling is the thing that is the honesty and the honesty is the thing they built after the site visit.
Samuel is quiet for a long time and the long is the thing that is the Samuel — the processing, the holding, the man who turns a fact over the way he turns a stone in his hand before setting it. When he speaks his voice is careful and the careful is not the guarded anymore. The careful is the thing that says he is taking this seriously the way he takes a measurement seriously.
"Two inches," he says. "At twenty-four."
"I know."
"That doesn't happen."
"I know, Dad."
Another silence and the silence is the thing that is the father and the father is the thing that is the man whose daughter grew two inches and the growing is the thing he cannot explain and the cannot is the thing he sits with because sitting is what Samuel does with things he cannot fix.
"How do you feel?" he says. The question is the thing that is the new. The question is not what happened or why or what are you going to do. The question is how do you feel and the how is the thing Lena has waited years to hear from him.
"I feel good, Dad. I feel strong. The height is weird but it doesn't hurt. Nothing hurts."
"Okay," Samuel says. "Okay."
The okay is the thing that is the acceptance and the acceptance is the thing that is not full but is not empty. It is the thing that is the middle and the middle is the place they live now.
Wednesday morning is the trail and Sina is at the trailhead and Sina is the thing that is the barefoot and the naked and the ready. Lena tells her at mile two and the telling is the thing that comes between breaths because the breaths are the thing that is the running and the running is the thing that does not stop for talking.
"I grew two inches," Lena says. "Six-five now."
Sina's stride breaks for half a step and the half is the thing that is the surprise and the surprise is the thing that is the looking. She looks at Lena and the looking is the thing that is the up because Sina is five-seven and the five-seven is the thing that was already looking up at six-three and now is the thing that looks up more.
"That's not possible," Sina says.
"I measured three times."
"Growth plates close at eighteen, Lena. Twenty at the latest. You're twenty-four."
"I know."
They run in silence for a mile and the silence is the thing that is the thinking and the thinking is the thing Sina does with her body — the processing through the feet, through the grass, through the rhythm. At mile four she speaks again.
"Is it the wish?" Sina says. The question is the thing Lena has not said out loud to anyone except herself and the herself is the thing that thought it at three in the morning on the balcony floor.
"Maybe. The weight was the wish. The height — I don't know. Maybe it had one more thing in it. It hasn't happened again."
"You're sure? You've been measuring?"
"Every morning. Six-five. Every morning."
Sina nods and the nodding is the thing that is the Sina — the accepting of the thing she cannot explain because Sina is the woman whose brother died on a site that passed inspection and the passing is the thing that says specs can be wrong and the wrong is the thing that happens and the happening is the thing you live with.
The clinic is bright and the bright is the thing that is the fluorescent and the fluorescent is the thing that is the sixteen months. Kimo stands on the scale and the standing is the thing he does without being told. Dr. Parekh writes the number and the number is the thing that is the chart and the chart is the thing that has the line.
"One hundred and eighty-eight pounds," she says. "Fifty-three inches. The multiplier is holding at 2.1. Physical growth is consistent with the trajectory from thirteen months — still far above any standard curve, but the acceleration has stabilized. He's not speeding up and he's not slowing down. He's growing at a steady, elevated rate."
Lena nods and the nodding is the thing that is the receiving. She mentions her own height change and the mentioning is the thing that is the aside — not the focus, but the thing she puts in the room because the room is the doctor's office and the doctor is the person who tracks bodies.
"I grew two inches," Lena says. "At twenty-four. In the last few weeks."
Dr. Parekh looks up from the chart and the looking up is the thing that is the attention and the attention is the thing that shifts from Kimo to Lena. She asks questions — when, how fast, any pain, any other changes — and Lena answers and the answers are the thing that are the flat and the flat is the thing Dr. Parekh writes in a separate note.
"I can't explain it," Dr. Parekh says. "I'll note it in the file. If it recurs, I'd want imaging. But for now — let's talk about Kimo."
She pulls out the language assessment and the assessment is the thing she prepared with the specialist she mentioned last visit. The specialist is a woman named Dr. Okafor and Dr. Okafor is on a screen behind Dr. Parekh and the screen is the thing that is the video call and the video call is the thing that is the remote and the remote is the thing that says this is the doctor who sees children like this and the like this is the thing that is the rare.
"His vocabulary is now past two hundred and fifty words," Dr. Parekh says.
"He's using five and six word sentences with consistent grammar. He's asking causal questions — why, how, what happens if. He's drawing representational images with structural detail — walls with studs, wiring, plumbing. His fine motor assessment places him above a four-year level. His gross motor is similarly advanced."
Dr. Okafor's face on the screen is the thing that is the still and the still is the thing that is the listening. She has Kimo come to the screen and the coming is the thing that is the standing and the standing is the thing she watches. She asks him to draw a house and the asking is the thing Kimo responds to by taking the crayon and the paper and drawing — the rectangle, the studs inside, the header, the roof line, the door, the window, the pipe inside the wall.
"Window here," Kimo says. "Window let light in. Light from sun. Sun behind earth sometimes. Earth spin. Spin make night. Night is dark. Window help dark."
Dr. Okafor is quiet for a moment and the moment is the thing that is the processing and the processing is the thing that is the woman who has seen gifted children and is now seeing a child who is not gifted in the way gifted means but gifted in the way that is the thing she does not have a word for yet.
"I'd like to see him in person," Dr. Okafor says.
"Monthly. I want to build a proper developmental profile. This is not within any spectrum I've documented. His language is approximately at a four-year level. His structural reasoning is higher. His motor skills are higher. And he's thirteen months old — sixteen months," she corrects herself, checking the chart. "Sixteen months."
Lena looks at Kimo and Kimo is drawing a second house beside the first and the drawing is the thing that is the connecting — a line between the two houses that he says is a wire and the wire is the thing that carries power from one to the other. He hums while he draws and the humming is the thing that is the low and the low is the thing that is the Aleki.
"Monthly," Lena says. "Okay."