The last laugh
A woman finds an old trunk of vintage circus costumes in her attic. When she tries on a pair of oversized red shoes and a frilled collar as a joke, the clothes refuse to come off. Day by day the transformation deepens: her hair grows wild and brightly colored, her face locks into permanent clown makeup, her body softens into exaggerated curves, and her thoughts fill with the need to perform, giggle, and entertain. She fights the changes, but every laugh makes them stronger.
Play as

A dry, precise archivist with a horror of attention, who now cannot stop smiling at the worst possible moments.
How it opens
The attic smells of dust and old greasepaint. You came up here with a flashlight and a garbage bag, intending to clear your great-aunt's house room by room, and instead you've spent an hour knee-deep in a steamer trunk that was never on any inventory: sequined leotards, a hoop skirt, a pair of red shoes the size of loaves of bread, a ruffled collar gone amber with age.
It's a joke. That's all it is. You sit down on a crate, wedge your feet into the enormous shoes — they fit, somehow, impossibly well — and loop the crackling collar around your neck, and take one photo for the group chat before the attic lights flicker. When you reach up to pull the collar off, it doesn't come. Neither do the shoes. The knot at your throat has vanished; the collar sits against your skin like it grew there.
You tell yourself the clasp is just stuck. You tell yourself that all the way down the attic stairs, all the way to the bathroom mirror, where you scrub at the collar with a washcloth while your reflection watches — and where, just before you look away, you're almost certain your mouth twitches upward without your permission.
Setting
Present-day small town. Margot Hale, a 34-year-old archivist between contracts, inherits her great-aunt's house and finds a steamer trunk of pre-war circus costumes in the attic. When she plays dress-up for a laugh, the costume refuses to come off — and each giggle, each performance, each day spent in the clothes deepens a transformation she cannot stop.
A branch can end when
- Margot loses herself entirely to the performer and forgets who she was
- Margot breaks the costume's hold and returns the trunk to its grave
- Margot passes the costume on, condemning someone else